文学批评

北毫弗莱伊的神话批评

诺斯罗普·弗莱(Northrop Frye)的《批评解剖学》(Anatomy of Criticism, 1957)将对《圣经》的类型学解释与威廉·布莱克(William Blake)作品中普遍存在的想象概念相结合,引入了被称为神话批评的原型方法。弗莱继续强调新批评主义的形式主义。阅读更多;

结构主义叙事学

由茨韦坦·托多罗夫和罗兰·巴特所支持的结构主义叙事学说明了一个故事的意义是如何从它的整体结构(语言)而不是从每个故事的孤立的主题(言语)发展起来的。亚里士多德认为,所有的叙事都是纵向发展的,从开始到…阅读更多;

诈骗

俄罗斯形式的俄罗斯形式主义者的“诈骗性”概念,由viktor shklovsky在他艺术中提出的技术,指的是语言的文学设备,以便使普通和熟悉的物体看起来不同。这是…阅读更多;

JC Ransom的新批评

约翰·克罗·兰塞姆(John Crowe Ransom, 1888-1974)宣布了新批评的开创性宣言,他发表了一系列题为《新批评》(The New Criticism, 1941)的文章和一篇有影响力的文章《批评公司》(Criticism, Inc.),发表在《世界的身体》(The World 's Body, 1938)上。这篇文章简洁地表达了……阅读更多;

新批评:一篇文章

新批评者试图巩固文献的研究,发展一种以对文本本身的严格研究为中心的方法。Thus it was distinctively formalist in character, focusing on the textual aspects of the text such as rhythm, metre, imagery and metaphor, by the method of close reading, as against reading that on the basis of external evidences such as the history, author’s biography or the socio-political/cultural conditions of the text’s production. Although the New Critics were against Coleridge’s Impressionistic Criticism, they seem to have inherited his concept of the poem as a unified organic whole which reconciles its internal conflicts and achieves a fine balance.